Dirty Legs

John Gilmore Trio – October 24, 1982

at the Sea Gull in Mendocino.

John Gilmore, piano; Kiyoshi Tokunaga, bass; Richie Rosenbaum, drums

photo: Kiyoshi & John in 1978 by Nicholas Wilson

Vince Wallace Quartet – Sea Gull, Mendocino June 1984

image from a poster by Bob Ross

Vince Wallace, tenor sax; Daney Dawson, Bass; Richard Cooper, piano; Ren Arcand, drums; 2nd sax, possibly Bob Treadwell, Don Sheridan, Curtis Buck, Ritchie Cole?

Vince Wallace Quartet – Sea Gull, Mendocino June 5, 1985

Vince Wallace, saxophone; John Gilmore, piano, Richard Cooper, bass; Ren Arcand, drums

photo of Vince & Richard by Daney Dawson
Original analog recording by John Gilmore
Digital conversion by Bill Mulvihill

Vince Wallace Quintet at the Caspar Inn, Oct 7 & 25, 1985

Vince Wallace, saxophone; Kiyoshi Tokunaga, flugelhorn; John Gilmore, piano; Richard Cooper, bass; Ren Arcand, drums

Image: painting “Honk If You Love Bebop” by Bob Ross
Original analog recording by John Gilmore
Digital conversion by Bill Mulvihill

Vince Wallace Quintet Sea Gull, Mendocino Sept 25, 1985

Vince Wallace, saxophone; Kiyoshi Tokunaga, flugelhorn; John Gilmore, piano; Richard Cooper, bass; Ren Arcand, drums

painting by Vince Wallace from K Rudin’s collection
Original analog recording by John Gilmore
*Note: John had a star on track 2 & 7, & a question mark on track 3, “The Nearness of You”
Digital conversion by Bill Mulvihill


Richard Cooper & Olaf Palm

instrumental Jazz by Richard Cooper, piano; Olaf Palm, bass. drawing by Olaf Palm.

Kent Glenn Quintet – June 1990 Hill House Mendocino

Kent Glenn, piano; Vince Wallace, tenor sax; Diane Zissa, alto sax; Laura Maione, bass; Sue Treiman, drums

Kent Glenn Trio – Lawn Party 1998

Kent Glenn (piano), Laura Maione (bass), Walter Perkins (drums), Mary Mills (flute on 3 & 6)

Thanks to Noal Cohen for corrected information on recording date, location & titles

Kent Glenn, piano; Laura Maione, bass; Mary Mills, flute

Kent Glenn (piano), Laura Maione (bass), Mary Mills (flute )

Thanks to Mary Mills for providing the recording and Noal Cohen for the photo